Oil On Canvas, Real Flavor of Old Masters

All TRAVERSI, Gaspare 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
62367  
Finding of Moses, TRAVERSI, Gaspare
  		 Finding of Moses   122 x 152 cm Private collection Diziani, who painted narrative (biblical and mythological) scenes, treated this subject several times. Author: DIZIANI, Gaspare Title: Finding of Moses , 1701-1750 , Italian Form: painting , religious
81578  
Portrat des Fra Raffaello da Lugagnano, TRAVERSI, Gaspare
  		 Portrat des Fra Raffaello da Lugagnano   ca. 1750(1750) Medium Oil on canvas Dimensions 38 x 26 cm cyf
81572  
Salome mit dem Haupt Johannes des Taufers, TRAVERSI, Gaspare
  		 Salome mit dem Haupt Johannes des Taufers   ca. 1760(1760) Medium Oil on canvas cyf
40566  
The Drawing Lesson, TRAVERSI, Gaspare
  		 The Drawing Lesson   mk156 c.175 Oil on canvas 161.7x204cm
9377  
The Drawing Lesson aet, TRAVERSI, Gaspare
  		 The Drawing Lesson aet   c. 1750 Oil on canvas, Nelson-Atkins Museum of Art, Kansas City
40563  
The Music Lesson, TRAVERSI, Gaspare
  		 The Music Lesson   mk156 c.1750 Oil on canvas 152x204.6cm
97182  
The Seduction, TRAVERSI, Gaspare
  		 The Seduction   circa 1752(1752) Medium oil on canvas Dimensions 35.5 X 43 in cyf
9378  
The Sitting qt, TRAVERSI, Gaspare
  		 The Sitting qt   1754 Oi on canvas, 99 x 130 cm Mus??e du Louvre, Paris
TRAVERSI, Gaspare
Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749



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